1. |
Eudemonia
03:13
|
|||
|
it could have been worse
but how can i appreciate it
without wasting my time thinking over
and over it
let's get professional
e u d, e, m o n, i a
please be my company
i know someday that
might come to haunt me
with a bad conscience and a reverie that follows
an impossible desire
let's get professional
e u d, e, m o n, i a
i'll be your company
i asked for more
but whatever that meant now
as you closed your door
you said that i should not be alone
i got you here
i am with a positive tension
as long as i'm
not together with somebody else
|
||||
2. |
||||
|
stolen from my ankles
threads that made me sick
dreams and carved in lovers
of failures not to speak.
now it's hard to tell
whether all the good dreams, and good things
after what i mentioned
have gone nowhere, too.
if i could continue
with my wrists all tied
would i choose the right ones?
if i could continue
with my wrists all tied
would i distinguish them by heart?
|
||||
3. |
Cocoanut Shy
02:20
|
|||
4. |
||||
|
i got so tired that i can't
stay any longer here
whenever i may be home
i know it will take far too long
darkness lets so much place for imagination
that i even see my dreams come true
a single car rolls by
as the traffic lights turn green
and i feel the distance
between us was not big
what i can say that it was adequate
just as how much it takes to live
so what do you want more
and what from me?
i got home safe without you
and you can keep on drinking
the whole night and be more distant
|
||||
If you like Hand Over, you may also like:
Purple Haus
by Bear the Mammoth
The latest album from Purple Haus is a playful and poignant exploration of progressive post-rock.
go to album
Throwing mathcore, emo, and ambient into the mix, Estonia's Kaschalot push progressive rock's multitasking approach to its limits.
go to album
Triumph & Disaster
by We Lost The Sea
An tempestuous post-rock journey inspired by the existential threat of climate exchange, "Triumph & Disaster" overflows with grace and grit.
go to album
Acoustic reworking of the cult emo band's 2008 debut, with turns from American Football's Nate Kinsella, the Kraken Quartet, and more.
go to album
Kansas City trio Flooding draw out the more mystical qualities of slowcore and noise rock for a heavy sound that's less stony than doom.
go to album
featured on Bandcamp Radio Oct 18, 2016
go to album
The Australian duo draw from a stylistic hodgepodge spanning free-improv, doom, jazz, psych rock, and no wave.
go to album
